So what am I talking about in terms of paper, and why did I have so much trouble?īasically I believe it is the sizing on the paper that caused my main problems. I don’t fit into any of those three categories, so that is why I found paper challenging! As I mentioned in my Norfolk Island posts (in particular this one), I initially thought it was a big disaster to take an untested sketchbook away with me! However my determination to work out a way to use the paper to suit my approach certainly paid off, and I now have a sketchbook full of sketches that I love. The paper is perfect for people who want to achieve uniform washes, who don’t work too wet, and who are happy to wait between passages. Interestingly this grain had less of an impact than expected and I didn’t really notice it while I was working. The current Moleskine paper has a similar difference and strong grain. There is a noticeable difference between the two sides of the paper and one side has quite a strong mechanical grain. The book opens flat and the stitching appears solid, although there is a gap between the signatures which is a little larger than ideal and there was some glue showing. If you don’t like the way the Moleskine paper buckles then you’ll really appreciate the extra thickness of this paper. The paper is thicker than the Moleskine (300gsm vs 200gsm) with few pages (only 48 pages vs 72 pages) and it is a fraction whiter. Neither of these two additions were any use to me, but they’re a nice touch. The book is approximately the same A5 landscape size as the Moleskine Large Watercolour Notebook, but with a nice blue colour (I am a blue girl, if you haven’t already noticed!) and a long cloth bookmark and a pen holder. The quality is excellent and there are a lot of nice features. In summary this is a beautiful sketchbook and I highly recommend it! I also wanted to compare it with the Moleskine paper which is what I normally use.īut first, I thought it would be useful to do a quick overview of the Pentalic Aqua Journal sketchbook. Perhaps it's because I've used other better paper.Before I put my Norfolk Island sketchbooks away in my bookcase ( will there be room?), I wanted to do some more controlled tests on the Pentalic paper to check my on-location assessment of how it worked. Perhaps it's also because the paper feels a bit like cards. Most likely it has got to do with the uniform pattern pressing of the texture. However, there's something I don't like about the paper. Painting and sculpting on giant clay balls at Thow Kwang Pottery Jungle. If you notice for most of the sketches, I don't use much wet on wet techniques. I tried some wet on wet techniques for the sky but I wasn't that good. Daniel Smith's Cerulean Blue Chromium was used. Daniel Smith's Cerulean Blue Chromium was used.Ĭhinatown. Daniel Smith's Cerulean Blue Chromium was used.ĭuxton Hill. I've used QoR watercolours for all the sketches below unless otherwise noted. It's 300gsm so it does buckle even with heavy washes.Ĭheck out some of the pen and ink watercolour sketches I've drawn in the sketchbook. The paper is tough and can withstand several layers of glazing. It handles water well and in a controlled manner. Paper texture is nice and can create some beautiful granulation. There are some people complaining about the stitching but I personally can't see any fault with my copy. Some of my 270gsm Stillman & Birn sketchbooks also have that problem. It's not an uncommon problem for sketchbooks with thicker paper. But if you do, then the work won't look as nice, but hey you're drawing across a gutter so the work will be cut anyway. If you don't draw across the gutter, it's not something to worry about. groups of paper bound together), you may see some glue. The binding is quite good, just that for those pages between signatures (e.g. Paper is bound in six signatures and can open flat. Since the paper is thick, there are only 48 pages. The paper is said to be from an European mill but there's no mention which one. The bright white paper is 300gsm coldpress. It can fit a Connoisseur sable travel brush or Rosemary brushes. One nice feature of the sketchbook is there's an elastic brush holder at the top. Corners of the sketchbook are rounded off. It's a hardcover that comes with a ribbon marker, elastic band and back pocket. This watercolour sketchbook comes in two sizes, 3.5 by 5.375 inches and 5 by 8 inches (that's A5). So I'm still not sure if the original had actually used real cotton paper. And finally in late 2016, the 100% cotton label was dropped. These were previously marketed as 100% cotton paper but there were questions about how true that was. The Pentalic watercolour journal features 300gsm coldpress paper. Pentalic produces many different types sketchbooks and their so called Watercolor Journal is one worth checking out.
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